Kiss, The (My Private Nightmare)
- informations de publication
- Avril 23, 1999
- Montréal (Impérial)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 23, 1999
- Montréal (Impérial)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 23, 1999
- 21-04-99 Montréal (Centre Pierre-Péladeau)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 23, 1999
- 21-04-99 Montréal (Centre Pierre-Péladeau)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 21, 1999
- Montréal (Impérial)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 21, 1999
- Montréal (Impérial)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 21, 1999
- 21-04-99 Montréal (Centre Pierre-Péladeau)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Avril 21, 1999
- 21-04-99 Montréal (Centre Pierre-Péladeau)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Budget
- Distributors
- Qc Film Tonic Inc.
Détails de production
- Producteur Exécutif
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Producteur
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Pierre Latour
- Pierre Latour
- Pierre Latour
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Line Producer
- Alexandra Woodward
- Pierre Latour
- Pierre Latour
- Andrew Makarewicz
- Andrew Makarewicz
- Andrew Makarewicz
- Directeur
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Directeur de la photographie
- Karine Zerbé
- Karine Zerbé
- Karine Zerbé
- Karine Zerbé
- Musique
- Ivan Zavada
- TiTi ReBo
- TiTi ReBo
- TiTi ReBo
- Écrivain
- Gabor Zsigovics
- Gabor Zsigovics
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Thérèse Brodeur
- Thérèse Brodeur
- Éditeur
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Rob Swartz
- Robert Yates
- Robert Yates
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Acteurs
- Tadzeo Horner Chbib
- Maïa Nadon Chbib
- Maïa Nadon Chbib
- Maïa Nadon Chbib
- Maïa Nadon Chbib
- Camille Fortin Chbib
- Gabor Zsigovics
- Bobo Vian
- Bobo Vian
- Bobo Vian
- Bobo Vian
- Bobo Vian
- Bobo Vian
- Bobo Vian
- Bobo Vian
- Ross Partridge
- Ross Partridge
- Tonia Lynn
- Tonia Lynn
- Alexandra Woodward
- Alexandra Woodward
- Alexandra Woodward
- Alexandra Woodward
- Alexandra Woodward
- Susan Eyton Jones
- Susan Eyton Jones
- Mark Houghton
- Mark Houghton
- Mark Houghton
- Mark Houghton
- Mark Houghton
- Mark Houghton
- Mark Houghton
- Iona Brindle
- Iona Brindle
- Iona Brindle
- Iona Brindle
- Iona Brindle
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
- Bashar Shbib
77 minutes, 1998
Bill Gabriel Young, un réalisateur de films de série B au passé chargé, apprend qu’il est atteint d’une forme de cancer du sang. Alors qu’il entreprend de tourner son dernier film, il raconte à ses trois enfants comment il savait, par un certain sentiment intuitif, qu’il allait mourir d’un tel cancer. Avant de partir, il leur parle de leur monde, des conflits et des frontières entre les gens, et de l’amour, en leur montrant le voyage d’un baiser, qui est ce qui, ultimement, les relie au reste de la vie.
Source: Bibliothèque et Archives Canada - Base de données canadienne du long métrage (BAC)
