Raison D'Être
- Release Information
- September 14, 1977
- Montréal (La Cinémathèque Québécoise)
- Library and Archives Canada - Canadian Feature Film Database (LAC)
- Funding Sources
- Act/Policy
- Budget
- Distributors
- Office National du Film
- Office National du Film
Production Details
- Executive Producer
- Anne Claire Poirier
- Anne Claire Poirier
- Producer
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Robert Forget
- Robert Forget
- Robert Forget
- Robert Forget
- Robert Forget
- Robert Forget
- Robert Forget
- Director
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Director of Photography
- Anne Claire Poirier
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Andre-Luc Dupont
- Writer
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Anne Claire Poirier
- Jean-Yves Roy
- Yves Dion
- Yves Dion
- Editor
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Yves Dion
- Cast
- le docteur Guy St-Arnaud
- le docteur Flore Fournelle-Le Buis
- Huberte Pineau
- Huberte Pineau
- Margaret Farley
- le docteur Yvan Méthot
- Pierrette Lambert
- Huberte Pineau
- Huberte Pineau
- Yves Dion
- Yves Dion
- Jean-Yves Roy
- Yves Dion
Tomorrow, death is inevitable. How can we possibly come to terms with that reality? Two adults with cancer have graciously allowed cameras to follow the final months of their lives. For Micheline, it is a positive experience: she sees death as an adventure she is embarking upon. But François only sees the negative side: how can he express his real needs to a society that treats death like a taboo? As a person is dying, more than ever they need the respect and rights given to those who still have their entire lives before them. In the end, what counts is for each person to live the present moment in their own personal truth, seeking their reason for living, without hiding from life...
Source: Library and Archives Canada - Canadian Feature Film Database (LAC)
