To hear Bill Mason tell about the making of this feature film (he is also the narrator) is to share with him his affection for his camera-quarry: the big northern timber wolves and pure-white Arctic wolves. What he brings to the screen is some unexcelled film footage and a great depth of lore about these wary, intelligent creatures of the Canadian wilds. Filming was done over three years in the Northwest Territories, British Columbia, the high Arctic, and near his Gatineau Hills (Québec) home where he kept and observed three grown wolves and, eventually, the litter of cubs that provides some of the film=s most engaging sequences.

Source: Library and Archives Canada - Canadian Feature Film Database (LAC)

Production on the history of the telephone and how the disappearance of the worker may have been already all set up.

Source: Library and Archives Canada - Canadian Feature Film Database (LAC)

Documentary shot over the course of one winter in the palliative care unit of the Salvation Army Toronto Grace Health Centre. It shows the last days of five people. Carmela is an elderly, religious Italian-Canadian with a daughter and grandchildren; she shares a room with Joyce, who is reluctant to take painkillers because she is afraid she will die in her sleep. Eda’s cancer has gone into remission, granting her a renewed sense of hope and inspiring her to seek a new apartment outside the hospital. Rick, a former Satan’s Choice biker who resists the discipline of the hospital, says he would rather die in a shootout than a hospital bed. Lloyd suffers from brain cancer and is supported by the constant presence of his parents and Norm, his partner of thirty years.

Source: Library and Archives Canada - Canadian Feature Film Database (LAC)

In one blazing stroke, Attila Richard Lukacs established bad-boy celebrity at the highest levels of the international art world. After living and painting successfully for ten years in Berlin, it was time to take on the New York art scene. New York however, had other ideas. A journey to the dark side of Attila’s last days in the big rotten apple.

Source: Library and Archives Canada - Canadian Feature Film Database (LAC)

Sixteen months before the death of Guido Molinari in February 2004, the videographer Lauraine André-G set out to create a poetic portrait of the famous painter born in Montreal in 1933, interspersed with interviews with him and those who knew him well.

Source: Library and Archives Canada - Canadian Feature Film Database (LAC)