Canadian Film Online
e-Lab at AU
Build an e-Portfolio
Find useful tools and resources
Network with others
Contact us
Home
About the Site
English
Français
Canadian Film Online
Films
People
Policy
Research
Close
Films
Browse Films
Browse by Genre
Browse by Year
Read Commentaries
Search for a Film
Explore
UNDER THE PIANO
TREASURE MOUNTA...
PALANQUIN DES L...
KING CHRONICLE,...
JET BOY
Commentaries
Freezer Burn Co...
Loyalties (Doub...
Les Grandes Cha...
Cold Journey Co...
Maelström Comme...
Interviews
Douglas Barrett - Pa...
François Macerola, P...
Arnie Gelbart - Part...
Richard Stursberg, P...
Michael Spencer, Par...
Close
People
Browse by first name
Browse by last name
Read interviews
Search for a person
Explore
Greg Kinnear
"Mad Dog"...
Valerie Ambrose
B. J. Rack
Xavier Morin-Lefort
Commentaries
Freezer Burn Co...
Loyalties (Doub...
Les Grandes Cha...
Cold Journey Co...
Maelström Comme...
Interviews
Douglas Barrett - Pa...
François Macerola, P...
Arnie Gelbart - Part...
Richard Stursberg, P...
Michael Spencer, Par...
Close
Research
Build a map
Build a timeline
Film commentaries
Watch Interviews
Visit MediaCan
Resources
Film Schools & Orgs
Commentaries
Freezer Burn Co...
Loyalties (Doub...
Les Grandes Cha...
Cold Journey Co...
Maelström Comme...
Interviews
Douglas Barrett - Pa...
François Macerola, P...
Arnie Gelbart - Part...
Richard Stursberg, P...
Michael Spencer, Par...
Close
Policy
Film Policy
Funding Agencies
Explore
Income Tax Act (R.S....
Institut québecois d...
Canada Council Act -...
National Film Board:...
Canadian Film Centre...
Commentaries
Freezer Burn Co...
Loyalties (Doub...
Les Grandes Cha...
Cold Journey Co...
Maelström Comme...
Interviews
Douglas Barrett - Pa...
François Macerola, P...
Arnie Gelbart - Part...
Richard Stursberg, P...
Michael Spencer, Par...
People
Paul Fox
Paul Fox
No biography found.
Filmography
Director
EVERYTHING'S GONE GREEN
(
2005
)
EVERYTHING'S GONE GREEN
(
2005
)
DARK HOURS, THE
(
2003
)
DARK HOURS, THE
(
2003
)
Related Commentaries
Everything's Gone Green Commentary
For a novelist, making the transition from writing something meant to be read, to writing something that will be seen, can be tricky. Dialogue and image need to drive a film in ways that are distinct from how they operate in novels. The job is...
Interviews