Canadian Film Online
e-Lab at AU
Build an e-Portfolio
Find useful tools and resources
Network with others
Contact us
Home
About the Site
English
Français
Canadian Film Online
Films
People
Policy
Research
Close
Films
Browse Films
Browse by Genre
Browse by Year
Read Commentaries
Search for a Film
Explore
DIABLE À QUATRE...
24 STORE, THE
HAM & CHEES...
POWDER HEADS
J'AI ÉPOUS...
Commentaries
J.A. Martin, Ph...
Nuages sur la v...
Stone Angel Com...
Le Grand Serpen...
The End of Sile...
Interviews
Len Cochrane, Part 2...
Kevin Shea, Part 1:...
Judith Brosseau, Par...
Arnie Gelbart - Part...
Loren Mawhinney Part...
Close
People
Browse by first name
Browse by last name
Read interviews
Search for a person
Explore
Barbara Anderson
Septimiu Sever
Michael Ryan
Wendell Eugene
Amale Badr
Commentaries
J.A. Martin, Ph...
Nuages sur la v...
Stone Angel Com...
Le Grand Serpen...
The End of Sile...
Interviews
Len Cochrane, Part 2...
Kevin Shea, Part 1:...
Judith Brosseau, Par...
Arnie Gelbart - Part...
Loren Mawhinney Part...
Close
Research
Build a map
Build a timeline
Film commentaries
Watch Interviews
Visit MediaCan
Resources
Film Schools & Orgs
Commentaries
J.A. Martin, Ph...
Nuages sur la v...
Stone Angel Com...
Le Grand Serpen...
The End of Sile...
Interviews
Len Cochrane, Part 2...
Kevin Shea, Part 1:...
Judith Brosseau, Par...
Arnie Gelbart - Part...
Loren Mawhinney Part...
Close
Policy
Film Policy
Funding Agencies
Explore
Telefilm Canada Act...
Lougheed Era: Albert...
Canadian Feature Fil...
Alberta Funding
Film Nova Scotia
Commentaries
J.A. Martin, Ph...
Nuages sur la v...
Stone Angel Com...
Le Grand Serpen...
The End of Sile...
Interviews
Len Cochrane, Part 2...
Kevin Shea, Part 1:...
Judith Brosseau, Par...
Arnie Gelbart - Part...
Loren Mawhinney Part...
People
Paul Fox
Paul Fox
No biography found.
Filmography
Director
EVERYTHING'S GONE GREEN
(
2005
)
EVERYTHING'S GONE GREEN
(
2005
)
DARK HOURS, THE
(
2003
)
DARK HOURS, THE
(
2003
)
Related Commentaries
Everything's Gone Green Commentary
For a novelist, making the transition from writing something meant to be read, to writing something that will be seen, can be tricky. Dialogue and image need to drive a film in ways that are distinct from how they operate in novels. The job is...
Interviews